Summary: Thursday next has been leading Jurisfiction for two years now, and thinks it’s about time to stop hiding and go back to real world. After all, her husband Landen is still eradicated, and she would very much like to get him back.

The England where Thursday arrives (together with her son, Friday, her two pet dodos and Hamlet, prince of Denmark) is nothing like she remembered. For one, her erstwhile opponent, Yorrick Caine, is now Chancellor and plans to become a dictator no less. As a cover, he’s blaming all the nation’s woes on the Danes, who dared invade a part of England in 786 (everything that goes slightly wrong is the Danes’ fault, including Volvo cars and Dutch Elm disease).

So Thursday finds herself in a bit of a bother, as usual. Her former job at LiteraTech now officially includes hunting down Danish books to be publicly burned. In theory, because in practice no one at LiteraTech wants to see books burn, so they plan to smuggle the ten trucks they gathered into Wales. Thursday’s responsibility, of course. Add to that the fact that a Shakespeare is needed because Hamlet the play has merged with The Merry Wives of Windsor, and that Swindon’s croquet team has to win the SuperHoop (a feat that they were never capable of), or else the apocalypse strikes and you’ll get a fair idea of the mess Thursday’s in. At least St Zvlkx’s prophecy is on her side. Oh, but did I mention that a terrible assasin, the Windowmaker, is also after her?

This is a book very hard to sum up in just a few words (there are many subplots, political satire, references to just about anything, and a cast of many bizarre characters). It is, nevertheless, pretty much as any reader of this series has come to expect: a wild ride through a world of strangeness.

As usual though, the details are too funny to be ignored. Such as the translating carbon paper named rossetionery (a reference to the Rosetta stone) and the fact that last year’s Booker speed-writing winner was stripped of his award when he tested positive for Cartlandromin (a reference to the very prolific romance author Barbara Cartland). Some of the politically correct names for various states are also funny, such as (the currently non-existent) Landen being referred to as having “an existence problem“, whereas the dead people are called “spiritually bereft“. My favorite example of such wooden language being the part where the president went missing, so his security people called Thursday and explained her that “We find ourselves in a head-of-state deficit condition” :)

Throughout the series Thursday is very much like Kinsey Milhone from the Alphabet series: resourceful, courageous, and smart. These days I can hardly think of one of them without being instantly reminded of the other. And yet there are parts (in this particular book most of all), when Thursday has another dimension: she is a loving wife and mother. While a bit hard to reconcile with her tough exterior, her new-found side doesn’t diminish her strengths, just makes her all the more interesting. I was a bit disappointed to see that my other female favorite character, Granny Next, was too old in this book to actually do something memorable, but it was nice to see her nevertheless. And Hamlet, well, he is worried about his being perceived by people as a ditherer, but he has trouble making up his mind even when faced with an easy decision like what kind of coffee he wants (“To espresso or to latte, that is the question“). He does nevertheless try to fix this, attending Conflict Resolution classes, but luckily for all of us he realized in the end that people enjoy his play precisely because of his moral issues, not despite them.

Another thing I likes was the light shed over some things mentioned long ago, in Book 1. For example, we finally get to know who the much-mentioned Millon De Floss is (we already knew he was Thursday’s biographer but he makes his first actual appearance in this book). Also in Book 1, Thursday is mentioned to have left a weapon hidden near her own self sometime in the future; in this book we get to witness that particular scene. And, my favorite, there is a reference of a young man seen at Thursday’s wedding (I had to go back and check, the young man is indeed there and he tells Thursday that “If you ever have a son who wants to be in the ChronoGuard, try and dissuade him.“, while both Thursday and Landen thought he looked a bit familiar) — and that young man is now revealed to be a grown-up Friday :)

A quote about BookWorld:

The chaotic nature of the real world that gave us soft undulating hills and random patterns of forest and hedges was replaced within fiction by a landscape that relied on ordered repetitions of the author’s initial description. In the make-believe world where I had made my home, a forest has only eight different trees, a beach five different pebbles, a sky twelve different clouds. A hedgerow repeated itself every eight feet, a mountain range every sixth peak.

Thoughts on the ending: show spoiler

What I liked most: show spoiler

What I liked least: show spoiler

Recommend it to? This book is the fourth in what I understand to be a series of eight (five books have currently been released, while a sixth is scheduled to be published in January 2011). As such, although I have found the book very enjoyable (my favorite in the series so far), I can only recommend it to people who have read the previous three.

This book is a sequel to:
The Eyre Affair
Lost in a Good Book
The Well of Lost Plots

Written by the same author:
Shades of Grey

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Summary: Young Edward Russett’s life has pretty much been established: he is to marry into an important family and spend his life in their string factory. But a prank gone wrong sends Eddie in the Outer Fringes, in a small town named East Carmine, to conduct a chair census and learn some humility.

And Edward fell in love from the first minute he saw her, a girl his age with a retroussé nose. But not only she wants nothing to do with him, she has a lots of secrets that poor Eddie unwittingly stumbles across in his attempts to know her better and get closer to her.

Sounds boring? Mix in some Pookas, carnivorous trees, painting by numbers, an Apocryphal man, a living road that takes care of itself, and… who knows, perhaps you’ll like it :)

Prepare yourselves to be amazed. Mr. Fforde has created a very original world where everything is based on color. While I was somewhat aware of that, having read some reviews previous to reading the book, I was nevertheless very pleasantly surprised to discover the actual thing.

The world has changed after Something That Happened. Even the people have evolved (or rather devolved) into Homo coloribus, people who can see nothing at night and only a certain set of colors by day. According to colortocracy, the highest ranked people are the ones who can see the most colors, for example a Grey (someone with no color sight to speak of) is lower than a Red (someone who can mostly see red, and very little of the rest), who is lower than a Purple (someone who can see lots of red and blue).

The people’s very names are based on this system too, as anyone who can see color gets to pick an appropriate name (like Russet, or deMauve, or McMustard; my favorite name was Floyd Pinken), whereas the Greys have to contend with using their own address as a last name (G-23 or G-8). Even the diseases are treated by showing people certain colors: what we know as doctors are called swatchmen there, and their medicine cabinets have been replaced by swatches of colors. Making me a wee bit dreamy as you have to agree it would simplify seeing a doctor tremendously :)

One of the elements I love in Dystopian books (or other forms of SciFi) is when the author manages to make the reader as familiar with current technology as can be. Mr. Fforde’s ingeniousness has dealt with that very well in this book: the powers that be decide, periodically, to give up some pieces of technology that they deem useless, or subversive, or whatever. The chosen technologies are then Leapbacked, meaning the artifacts are destroyed and no one is allowed to make or use them ever again. The society thus goes backwards and backwards, ending up, at the time the book opens, at a level more or less equivalent, technology-wise, with the beginning of the 20th century. A bit worse actually, since the bicycles have been Leapbacked, the books too, and who knows what else.

The country (world?) is ruled by the Munsell, whose statues are in every village and whose rules are never broken. Everything is constant, from the number of people (carefully guarded) to the shortage of spoons. The rules are incredibly strict, regulating from what outfit can be worn in a certain occasion to the minimum number of meals per day. More on the rules:

“The Word of Munsell was the Rules, and the Rules were the Word of Munsell. They regulated everything we did, and had brought peace to the Collective for nearly four centuries. They were sometimes very odd indeed: The banning of the number that lay between 72 and 74 was a case in point, and no one had ever fully explained why it was forbidden to count sheep, make any new spoons or use acronyms. But they were the Rules—and presumably for some very good reason, although what that might be was not entirely obvious.”

Unsurprisingly, loopholery abounds, people in charge always finding ways to do what they want (usually by declaring some things as being something else; my favorite example is the “chicken is a vegetable” one but there were more).

And the spoons, let’s not forget the spoons. For some reason spoons are missing from the list of items allowed to be manufactured, so the number of spoons is always constant (or even decreasing if we think some may be destroyed, or lost, now and then). So

“Acceptable rules of conduct were suspended when it came to the spoon shortage. The deficit had gotten so bad that prices were all but unaffordable, and dynastic spoon succession had become a matter of considerable interest. Spoons were even postcode engraved and carried on one’s person to eliminate theft, and good table manners, one of the eight pillars upon which the Collective was built, had been relaxed to allow tea to be stirred—shockingly—with the handle of a fork.”

Interestingly enough, although no one can see full scale, color is very important to people. Everything is colored and recolored using pipes with liquid, very expensive colors (colors that can only be obtained from artefacts that have belonged to the Previous, the ones before). And yet, color is going away from the world: everything colored falls prey to the Saturation Dispersion Index (or simply put, is fading). I sort of see a similarity with oil here, as there’s a limited quantity of it, huge yet but still limited, in our world, as are artefacts in theirs, and I thought it a nice touch (and also couldn’t help feeling sorry for those condemned to live in a black and white world after all color is gone).

To speak about the characters a little too (can you see I was head over heels fascinated by the world building?), they too are interesting, most of all by the way they grow throughout the novel. Taking Eddie Russett, he starts out as a naive person, yet with a good heart and always ready to do the right thing. Jane on the other hand is the very opposite: she knows lots of hidden secrets about their seemingly ordered world, and is ready to do anything to reach her purposes (I think I even detected a touch of cruelty in her, given how she treats people who mention her nose). Yet Eddie loves her and gradually she started to grow on me too (not to mention I was so happy to find such an atypical heroine :) )

Thoughts on the ending: show spoiler

What I liked most:
The charm is, as always, in the details. For example I have been wondered for a bit why the people in the book use the word Beigemarket instead of black market. And then it hit me: black is not a color, so it would not exist in a color-ruled world :) (speaking of beige, for the people in the book it is the color equivalent to Hell — I imagine it is so because it is so complete and utterly boring, but I may be wrong).

Other such details I revelled in were (marked as spoilers in case you want to find them for yourself):
show spoiler

What I liked least: I have found nothing to complain about. :)

Recommend it to? Anyone who loves dystopias, anyone interested in quirky worlds. Anyone else should at least give it a try :) (I was bound to say that, I love Fforde in general and I found this book in particular charming).

See also:
Some of the colors featured in the book
Q & A with the author

Written by the same author:
The Eyre Affair
Lost in a Good Book
The Well of Lost Plots
Something Rotten

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Summary: After Egypt was conquered and Cleopatra committed suicide, her three children with Marc Antony were taken to Rome. Because the conqueror, Octavian, didn’t want to look like he was waging wars on children, he treated them kindly, leaving their care to his own sister (and Antony’s ex-wife) Octavia. Thus Selene and Alexander lived a nice life, surrounded by friends and enemies alike, but they both knew that, as their fifteenth anniversary approached, their destiny was to be decided, once and for all.

From the very moment the book opens (the last day of Egypt as a free country), the characters have fallen a bit flat for me. We get a glimpse of Marc Antony, whom I have rather despised (his last words were about wine? really? I understand he loved wine and horses but this was a bit too much for me), and of Cleopatra (who had too few pages to make any impression on me; she was just there, and then she died, and that was that). Fast-forward eleven months, and there is our first chance to get to know the three children of Cleopatra and Antony’s. We learn that Selene is very talented when it comes to drawing, and Alexander knows a lot about horses. Other than that, they (or at least Alexander) seem to have gotten over their pain at seeing their parents dead and have been transformed into slaves pretty well. The depth of feeling seemed to me lacking all throughout the book, and it probably was one of the reasons I did not enjoy it that much.

Sadly, the fact that I did not resonate with the character affected my relationship with the whole story, because there is very little plot to speak of. Sure, there’s the Red Eagle mystery, but I kept thinking of it more as a tangent to the story, something that didn’t actually affect any of the characters, so I wasn’t particularly drawn into that either. What did give a bit of flavor to the book was the actual historical part: what Octavian did and when, his decisions and the way they affected others, plus the descriptions of Rome in that day and age. It can be said, in a broad sense, that Octavian was the one that made the book worth reading for me (otherwise there were only shopping trips or some other form of entertaining; oh, and Selene’s pining for someone she could never have).

One of my disappointments in the book was the fact that it mostly narrates Selene’s childhood (ages 11-15), a time far less interesting than her adulthood probably was. Even the author mentions, in the afterword, that Selene and her husband had “one of the greatest love stories ever to come out of imperial Rome, and for twenty years they reigned side by side in an extraordinary partnership”; I for one would have loved to know more about that, rather than a few years in the life of a more or less ordinary child.

Speaking of which, sometimes I felt the connection with Cleopatra a bit forced. That was most likely because Selene had no particularity to mark her as Cleopatra’s daughter. She could have been any other child lucky enough to belong to a patrician family. Or so it seemed to me (while she does prefer Egypt to Rome whenever she has the chance, these moments occupied way too little space to actually matter).

It can be argued that at least Selene remained attached to the land of her forefathers. To my surprise that wasn’t the case with her brother, Alexander, who adopted the Roman way in all the aspects of his life. He enjoyed betting on horse races and going to the Circus with his Roman friends, very rarely thinking about his previous life with his mother and father. This may be only an impression of mine, since we only see Alexander through Selene’s life, but I have often wondered how could he adapt so completely to his new way of life (sure, history tells us that Juba did the same, but he was “adopted” by the Romans when he was 4 or 6, not 11 as Alexander was).

I did not yet decide what I think about the fate the author has chosen for little Ptolemy, Selene and Alexander’s brother. There is very little known about him, however there are some historians that state all the three children were at the Triumph, and all three of them were then taken into custody by Octavia. As such, I was a bit surprised to see Ptolemy not being there. I also was surprised to see Antony criticised for sending away Octavia’s daughters with her previous husband, a move clearly intended for the reader to find Rome even more outrageous; however history (or at least some historians) tells us that the two Claudia Marcellas have lived with their mother and Marc Antony for a while, so they were not simply turned away when Octavia remarried.

Thoughts on the ending: I loved the last few pages the most in the entire book. Of course I knew how it was going to end (history tells us who Selene married), and yet there was a surprise twist near the end that I have vastly enjoyed.

What I liked most: The number of real-life characters mentioned in the novel. There are so many people I learned about and I am happy and grateful because of that. (for starters, secondary cast Wiki pages: Juba, Marcellus, Julia, Livia, Tiberius, Vipsania)

What I liked least: Why is the book named Cleopatra’s Daughter yet all throughout the book the name is spelled Kleopatra? There is a mention in the book that the name is spelt thus in Greek — and yet, why should we care about the Greek spelling, since the Cleopatra everyone’s known for all their life is spelt with a C? Or, if it mattered that much to the author, shouldn’t the name have been spelt with a K on the cover too?

Recommend it to? Anyone interested in a historical fiction novel set in ancient Rome. As usual, I seem to be the only one not liking this book so I do recommend it despite my own opinion about it.

See also
Michelle Moran’s website
Michelle Moran’s blog
Places in Rome where Selene has been
Q and A with the author about the book

Amazon Affiliate. If you click an Amazon link and buy something, I receive a small percentage of the purchase price.

Summary: The story picks up where the previous book left off: the Baudelaire siblings are floating on the ocean, in a boat, along with Count Olaf, who carries his precious helmet containing the deadly Medusoid Mycellium. A raging storm sends the boat near an island inhabited by a group of people, all former castaway, leading a life that’s a bit strange: everyone dresses the same, everyone lives in tents, everyone drinks the same thing and eats the same bland food, no books are allowed and other such things. All this because the island’s facilitator is trying to make his island a safe haven, protecting his people from… almost everything.

The three children are happy to feel safe for the first time in their life. But is safety worth the price of leaving the world (and its many advantages, as mechanical inventions, books, gourmet food) behind?

The book poses some interesting issues: Can one protect people by forbidding them things? Should one do that? If the answer to the last two questions is yes, how does one draw the line? Do all people want a simple, safe life anyway?

It was fun to notice the fact that all the castaways on the island had names inspired from other books. There’s a little girl names Friday, for example. Her mother is Mrs. Caliban. The facilitator of the island is Ishmael (“Call me Ish“). And many more, some of whose origins I did not identify (but Wikipedia did so there’s a list of them here :) )

There are also some religious allusions related to the island. Ishmael acts as their Messiah in a way (and even has a flock of sheep he lives in the same tent with), complete with wonders (predicting weather by “magic”). Keeping with his role of God, there’s also an apple tree whose fruits he forbids eating. And one of those is given to the Baudelaires by Ink the snake :)

The volume is dedicated to Beatrice (and alas, we finally get to know, without a doubt, who Beatrice is), in a couplet that shows off Lemony’s poetic side (or lack of it): “I cherished, you perished / The world’s been nightmarished.”

The usual warning to the reader:

“In this way, the story of the Baudelaire orphans is like an onion, and if you insist on reading each and every thin, papery layer in A Series of Unfortunate Events, your only reward will be 170 chapters of misery in your library and countless tears in your eyes. Even if you have read the first twelve volumes of the Baudelaires’ story, it is not too late to stop peeling away the layers, and to put this book back on the shelf to wither away while you read something less complicated and overwhelming.”

And with this, here I am, at the end of a series that took me a bit over one year to read through. Am I happy I read it? Yes, definitely, because I enjoyed most of the books and their quirky characters (not to mention Mr. Handler’s writing style plus the way he has chosen to insert an alter-ego of his in the story). Was the conclusion worth all the time spent waiting for it? Um…

Thoughts on the ending: While I loved reading this series all throughout, the ending was somewhat disappointing. show spoiler

Another thing I was less than enthusiastic about is the presence of a chapter fourteen. I remember reading somewhere that the series has thirteen books, each with thirteen chapters, and I thought that was cool. Until very recently when I discover the said chapter fourteen. I know it’s supposed to be the epilogue of the book, but I thought that the 13/13 thing was somewhat cooler.

What I liked most: The fact that the Baudelaires, after having all those guardians over the past few months, now end up being guardians themselves (and they do, of course, a much better job out of it than anyone else present in the series) was a nice touch.

Plus the Incredibly Deadly Viper, the one I was sorry to see go at the end of Book 2, is back :)
Not to mention the fact that the island log is named A Series of Unfortunate Events :)

What I liked least: Dare I say the ending?

Recommend it to? Anyone who has read the previous twelve books and is curious what happens next.

See also:
A Series of Unfortunate Events – the website

This book is a sequel to:
The Bad Beginning
The Reptile Room
The Wide Window
The Miserable Mill
The Austere Academy
The Ersatz Elevator
The Vile Village
The Hostile Hospital
The Carnivorous Carnival
The Slippery Slope
The Grim Grotto
The Penultimate Peril

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Summary: Brooke Miller is a Manhattan attorney whose life seems perfect: she has a nice job, good friends, lives in “the poshest building in all of Soho” and has an incredibly handsome, Scottish boyfriend (complete with sexy Scottish accent). And yet she feels like something is missing (the ring!), so when one of her exes invite her to his wedding she gets defensive and brags that she is engaged too! To a kilt-wearing Scot! And of course she will come to the wedding!

Only Brooke is in for a surprise: her boyfriends dumps her and gets engaged to someone else. As if that wasn’t trouble enough, Brooke has now no one to show off with at the wedding. This requires an emergency solution: Brooke has no choice now other than convincing one of her male friends to come with her. Pretending he’s a Scot no less. And let’s not forget the kilt.

Subtitled “How I survived my ex-boyfriend’s wedding with my dignity ever-so-slightly intact”, the premise of the book sounded quite promising (or at least that’s why I remember adding it to the TBR pile). It turned out to be just OK. Nice enough but nothing over the top extraordinary, nothing to remember it by in a few weeks.

I am not certain how I feel about Brooke herself. I cannot pinpoint what I do not like about her (or even if there is something about her that I dislike), and yet somehow she failed to draw me in. Maybe because she was quite superficial. Maybe because she kept bragging about the fabulous places she went to, and how much of a big-time lawyer she is. Maybe because she mentioned her salary more times that I cared to hear, especially as she spent quite a chunk of time not doing her work. I do know though what I did like about her: the fact that she took friends and friendship seriously, both when it came to asking for things (see the book summary for an example) and also when it came to giving time and/or attention herself.

The thing with chick lit (that I noticed in this book too, of course) is that there usually aren’t that many men present. There’s sometimes a current or ex boyfriend, that turns out to be a douche, but other than him there’s just one single man present. Kinda detracting from the suspense since we can instantly deduct that he is the one our “chick” will end with, even if the odds don’t seem favorable at first (a notable exception to this rule is Shannon Hale’s Austenland). While it’s true that no one reads chick lit for suspense, a bit of mystery would definitely not hurt.

A quote that gives an idea of Brooke’s personality and storytelling (one of her quotes that I liked most):

Even though the breakup was difficult, I remained very dignified. Well, not so much dignified as a screaming crying mess. But it’s not as if I embarrassed myself or anything. Unless you’d call throwing yourself at the tails of someone’s suit jacket embarrassing. Which, luckily for me, I do not. We had a very mature conversation, really, if you think about it. I sweetly said, “Please don’t go! Please don’t leave me!” Okay, so maybe I was screaming it at the time, but you get where I was going with that one.

Thoughts on the ending: Happy :)

What I liked most: I thought it was quite cool that the author has been through Law school herself, working in the same field as Brooke does in the book. If I am not mistaken she has even been to one (or more?) ex-boyfriends’ weddings :)

What I liked least: While Brenda was supposed to be this glitzy but likable character (and most of the time she pulled it off), her ceaseless babble about billable hours begun to annoy me after a while. I am of course aware that this happens somewhere near the beginning and that Brenda is supposed to be immature then (so she’ll have room to grow throughout the book), and yet her mentioning money that often didn’t exactly endear her to me (least favorite quote: “I had a wonderful family and friends. And I volunteered at a nursing home, to boot! Sometimes I forgot how wonderful I truly was. Although, I hadn’t really had time to volunteer much, what with my caseload and all. And that sort of thing isn’t billable.“).

Recommend it to? Anyone who likes books on the fluffy side of chick lit. A light and easy read.

See also
Brenda Janowitz’s website


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Summary: Grace was eleven and playing in her backyard when she had been attacked by wolves. That’s when she first noticed one particular wolf with beautiful yellow eyes.

Years pass, but Grace, now seventeen, never forgot that wolf. On the contrary, Christmases are better when she sees him; summers are colorless because he never appears then.

One day, the unthinkable happens: the wolf turns out to be a boy. A teenage boy, about the same age as Grace, and madly in love with her too.

I added this book to my TBR after having read somewhere it’s “like Twilight with wolves” (I am one of the seemingly few bookish people who actually loved Twilight). I started reading with this comparison in my head and I couldn’t help noticing there were indeed a few similarities: like Bella, Grace is seventeen, enjoys doing homework and cooking, has parents mostly absent from her life, develops a rather unhealthy obsession for something non-human and even deep down wishes she’d become “one of them”; like Edward, Sam begrudges the change that has been inflicted upon him, writes music and plays an instrument, and, of course, is so head over heels in love with Grace it sometimes seems like she’s the only important thing in his life.

It seems so clear-cut, but I was surprised to discover that what worked for me in Twilight didn’t work as well here. The heroine-meets-hero part, for example. When reading Twilight I thought it very natural for a teenage girl to meet an intriguing boy in school; however I found it a lot harder to relate with a younger girl being dragged off her swing by wolves, bitten, and sort of falling in love with one of them. It is actually a bit amusing how I can suspend disbelief enough to believe in werewolves, but it seems I have a tough time believing a girl stolen and almost eaten by wolves wouldn’t remain pathologically afraid of them for life. And to think that instead of that Grace sleeps with a sweater smelling of wolf instead of a pillow!

Another such thing was that when Bella wanted to become a vampire, I didn’t have trouble at all comprehending that. She stood to gain eternal life, eternal youth and superhuman strength, what was there not to like :) However when Grace thinks the same about becoming a werewolf, I could only wonder “how stupid of her”: obsession with wolves or not, their life was anything but easy, with no visible perks — why would anyone actually want that? I get it that she was enamoured with the very idea of wolfishness (plus Sam), and yet… it just didn’t work for me.

Even the book structure is similar to Twilight’s: that is, the majority of the book is dedicated to the love story developing. A part which, I am sorry to say, I didn’t much enjoy, because, as the said love story did not seem at all believable to me, it felt like I had to plough through pages and pages of manifestations that looked exaggerated and lacking a motivation. Luckily for me, there was an extra element, and that made the action pick up in the last hundred pages of so. It was a complete switch for me, as I went from not caring about the characters to being both interested in their welfare and finding it hard to put the book down out because I just had to know what happened next.

Despite my take on the feelings between the characters, I have very much appreciated the new take on werewolves the author came up with: the fact that they change involuntarily, according to temperature was a completely new idea for me, and I liked it because of that. I also liked the science/magic debate, as I am a believer in the fact that a lot of what may be considered magic is actually explainable by science (only the said science may be not that advanced yet), so I very much enjoyed the fact that the characters considered this point of view too.

As for the characters, once again the fact that the premise of the story didn’t work for me shows, as the hero and heroine are mostly defined by their feelings to one another, so a great chunk of “them” was missing for me. I found Grace to be everything people said Bella was: a Mary Sue, with not that much of a personality outside her obsession for wolves (her personality is described as scientific and lacking people reading skills, but I have not found any actual reflection of these traits in her actions; then again, perhaps I just wasn’t looking hard enough, since I didn’t care that much about her). Sam on the other hand is a rather promising character, and I liked the way he analyzed the difference between human feelings and the ones he had in wolf form, and also his attachment to poetry; and yet there were some details that bothered me, not allowing me to fully like him. Some characters I did like were Beck (because he seemed always in control) and Isabel (because she turned out to be a lot more than the spoiled brat she seemed to be in the beginning) — both these were flawed, and yet likable, and I was happy to discover non-2D supporting characters :)

My happiness stops though when it comes to Grace’s parents: I found them to be a plot device rather hard to swallow, because they, both of them, acted more like careless teenagers than parents of a seventeen years old (including the mother once wondering what is that thing in the fridge — namely a pork loin that Grace planned to cook the next day; does a forty year old adult who doesn’t recognize a piece of meat when she sees it seems that believable to you?). While I could understand the fact that they may be busy with work, I find it hard to believe they never checked out on their child when they came back at night — Sam manages to live in Grace’s house for weeks before anyone noticed him. Why didn’t the author just say the parents have left on a trip or something? Speaking of non-working plot devices, another thing I had trouble believing was the fact that an 11-year old would die of overheating because she had been forgotten locked in the car. At 11 one should be able at least to open a car door, right?

Despite my (lots and lots of) complaints, the writing is very good, being able to evoke powerful images at times. A few quotes I liked (sort of random, because I liked so many of them):

“I was suddenly struck by how dissimilar we were. It occurred to me that if Grace and I were objects, she would be an elaborate digital clock, synced up with the World Clock in London with technical perfection, and I’d be a snow globe—shaken memories in a glass ball.”

“Some days seem to fit together like a stained glass window. A hundred little pieces of different color and mood that, when combined, create a complete picture.”

Thoughts on the ending: Wonderful :)
Sure, it was quite predictable, but nevertheless I loved the way it was written.

What I liked most: While I have already complained about most of the premises, there are nevertheless some details that I have liked.

The title for one. I think it is simply perfect for this book: a book of cold weather that our characters desperately try to avoid and yet keeps seeping in at the worst possible moments. The author’s descriptions of cold are at times so powerful that the reader him/herself can almost feel it. Plus a shiver is also a manifestation of shock — and the book contains quite a bit of these too.

The lyrics Sam kept writing, for another. There are many of them; my favorites were “You’re my change of skin / my summer-winter-fall / I spring to follow you“.

What I liked least: did Sam have to sound so happy when he mentioned eating bunnies? Why didn’t he at least say rabbits? I do know wolves too have to eat and so on, but I could have done without having the fact that they eat “bunnies” rubbed in repeatedly.

Recommend it to? This is probably going to seem like a contradiction after everything that I have written above, but I do recommend every young adult lover to at least give this a try. My reason? There is an incredible number of people who totally adore it, a clear sign you never know how someone might view a book until that someone gives it a try :)
Currently 4.10 average rating on Goodreads.

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Summary: The book opens where the previous one ended, with all our characters in Fal Dara, each getting ready to go their own way. The danger of Ba’alzamon seems now passed, but then the unthinkable happens: Trollocs attack the fortress of Fal Dara from the inside, killing a few people, stealing the Horn of Valere and Mat’s dagger, and also taking Padan Fain with them.

The Horn cannot be left in enemy hands, and Mat would die shortly without his dagger, so a small army of Shienaran soldiers, together with Rand, Mat, Perrin and Loial leave Fal Dara on a “great hunt”, to find the Horn again, and replace it where it belongs.

Nynaeve and Egwene cannot join them this time, as they must be on their way to Tar Valon, the place where they are to be taught how to use the One Power for the greater good. Not that their lives are going to be safe from danger even there.

This is the second book in the Wheel of Time series and I have enjoyed a very small bit less than the previous one, yet still a lot. First of all, I love the writing style, because it has what I call “cinematic quality” (every visual detail is so aptly described that it sometimes feels like watching a movie). This book needed less world-building than the one before, since the reader is now familiarised with the location; however there were still new concepts introduced, and new places, giving me the occasion to bask in visual details, just as I like.

The plot is also well written, and quite unpredictable too — I very rarely knew what to expect, if at all. This is another reason why I’m on the way to becoming a fan of the series: the fact that there’s always something happening, with never a moment of boredom. Many people say that will change once the series reach book six or seven, but until then I really really love this part.

As for the characters, my, there’s plenty of them. I was happy to meet again most of those introduced in Book 1. Rand, desperately trying to adjust to who he is, trying to get rid of the yokel of prophecy but at the same time preparing himself for it, taking swordfighting lessons and learning to channel. Mat, sick, doing nothing but participating in the search for his dagger, now a bit more likable to me than before because he has less pages to complain in. Perrin, still communicating with wolves, also with less pages allotted. Loial, always with his nose in a book and one of my favorite characters. Surprisingly enough, Bayle Domon, the owner of the ship Rand crossed the river seemingly eons ago, makes an appearance in this book too, piquing my interest in his fate. There are also a few new characters, of which Huron, a “sniffer” (a man who can smell deeds done by others) seems the most promising one, and I am looking forward to meeting him again. A notable absence is Lan (yup, the one that I liked most of them all), who only appears a little in the beginning and a little at the end since Moiraine Sedai is kept busy elsewhere almost all throughout the book.

The female characters get to grow and develop, especially Egwene, whom I dismissed as childish before, but whom I have actually liked in this volume. Nynaeve is trying hard to learn to become the best Aes Sedai she can be, dreaming to punish Moiraine later on for everything Nynaeve thinks she has brought to “her people”. We meet Elayne again, and, although the Daughter-Heir, she is so very down-to-earth that it’s impossible not to like. Another old acquaintance is Min, who, while only met once in Book 1, already seemed like a promising character and I was happy to see her again. As secondary characters we also get to meet a few more Aes Sedai (including their leader, the Amyrlin Seat, an old friend of Moiraine’s), some more interesting than others, and about whom I am curious whether we’ll get to see them again or not, but none of them particularly captivating and/or likable for me.

Speaking of Aes Sedai, I was happy that the author chose to give at last a bit more details about the notion of Ajah. While I have already surmised that each Aes Sedai belonged to an Ajah, and the said Ajah’s color meant something related to the Sedai’s personality, I knew no more than that. In this book though I found out a bit more details, some even funny ones, such as the way the Green Ajah women treat men (the more the better, they even have more than one Warden each). Their opposite is the Red Ajah, who despise men altogether, and never choose Wardens for that reason. There’s also the Brown Ajah, whose members thirst for knowledge and as such are always studying one thing or another. I have no idea yet of the particularities of the other Ajahs (including the Blue, Moiraine’s colors), but I am looking forward to finding out in the next book or books :)

As a small detail, I was amused by the names of the fighting stances Rand had to learn. “Cat Crosses the Courtyard” is my favorite, but there’s also “Parting the Silk”, “Hummingbird Kisses the Honeyrose”, “Heron Wading in the Rushes”, “The Kingfisher Takes a Silverback”, “Bundling Straw”, “The Dove Takes Flight”, “The Falling Leaf”, “The Swallow Rides the Air”, “The Boar Rushes Down the Mountain”, “The River Undercuts the Bank”, “Stones Falling From the Cliff” and many more :)

Thoughts on the ending: Unsurprisingly, I absolutely loved the ending (more so than the one in the previous book). show spoiler

What I liked most: It’s a tie between two things:
1) the three tests that Nynaeve had to go through in order for her to become Accepted. While the idea of testing someone by making him (or her) confront his (or her) innermost fears is not new by far, I very much loved the buildup and the way each test was more intense than the one before. Plus the fact that we got another glimpse of Emond’s Field and of Lan. :)

and

2) the portal stones!!!
The very idea of there existing “worlds our world might have been if things had happened differently.“. Much like some people believe in parallel universes, people in the WoT world also believe that “The Pattern has infinite variation [...] and every variation that can be, will be.“. Well actually, that’s not just a belief of theirs, because those worlds of variation actually exist and can be visited too, using portal stones. So, so very cool (I seem to use this word a lot lately). Not to mention the moment when Rand focused on one portal stone and actually got to “live” some of these variations for himself.

What I liked least: I have no major complaints but
1) I could have done without the Children of the Light (they served no major purpose anyway)(or perhaps there is a purpose and it will be revealed later?)

and

2) I was a bit annoyed at the beginning by all the drama surrounding the fact that Aes Sedai might want to “gentle” Rand because of who he is. Now, I understand that the male Aes Sedai broke the world once; I also understand that the prophecies state that the Dragon Reborn “shall break the world again by his coming, tearing apart all ties that bind“. I understand that people might want to stop the world from breaking again and thus harm Rand to keep him from doing so. But the prophecies also state that “the Dark One shall once more lay his hand upon the world of man [...] yet shall the Dragon Reborn confront the Shadow at the Last Battle, and his blood shall give us the Light“. So, considering that somewhere in the near future the said Dragon Reborn will be the only thing keeping the world from being conquered by the Dark One, why would anyone do anything to the Dragon and interfere with his doing so?

Recommend it to? Anyone who read and liked the first book, of course. While I imagine it may work as standalone too, many of the events are based on what had happened before so the enjoyment of it would be considerably reduced. Or so I think :)

See also
Wheel of Time wiki :)
Moiraine’s Facebook page :)

This book is a sequel to:
The Eye of the World


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Summary: The book deals with army life during the war. The author has imagined how life might have been in a (somewhat) ordinary squadron stationed on an island. The officers, the pilots flying the planes, the mess officer, the chaplain, the medical team, everyone makes an appearance in this rather original novel. It’s a story of madness, stupidity, bureaucracy, and the will to survive.

Expect this to be a review filled with quotes because I don’t think my own words alone could give a good enough idea of what the book is actually like :)

There are many characters in this book (as there are many people in a squadron). Some of them appear more often, some of them rather rarely. The one who appears the most is the one I have considered the main character and, coincidentally, is my favorite one. Yossarian is, at first, described by one of his friends as having “an unreasonable belief that everybody around him was crazy, a homicidal impulse to machine-gun strangers, retrospective falsification, an unfounded suspicion that people hated him and were conspiring to kill him“. At first the reader sees him as somewhat ridiculous, and doesn’t know what to make of him. The same can be said about the book, filled at first with all sorts of absurd episodes, seeming strange but not necessarily to be taken seriously. Even the timeline is messed up, the events being presented in what looks like random order.

And yet, as the pages are turned, more and more facets of Yossarian (and of the story itself) come to light. The reader gets to see that, far from being the paranoid and irrational creature presented in the first pages, Yossarian is actually “an intelligent person of great moral character“. He is indeed afraid of dying (aren’t we all?), but most of all he doesn’t want to waste his life uselessly. The same happens to the book. Even the timeline fixes itself, and, as events progress, more and more important issues are being revealed. In a war people die. Some profit off it. Some sacrifice the lives of others for their personal glory. The naive ones get killed. All these are obvious in a way even before reading, but they are made more poignant by the events in the book. The author doesn’t emit judgments, he just narrates the facts, and it’s these facts that are the striking part.

Now consider all this wrapped in a thick layer of sheer absurdity. Yossarian’s superiors keep raising the number of missions a pilot has to fly before being sent home (they do this so often that there are pilots, like Hungry Joe, who completed the “tour of duty” several times, because the number of necessary missions changed before anyone who completed the previous number had time to receive his papers and go home). The efficacy of a bomb run is not measured by the number of targets hit, or whether they were hit at all, but by how nice a pattern they offer when thrown. One of the characters is considered dead after the plane he officially was on exploded, despite the said character being right among the people who observed the accident. The mess hall officer is involved in some shady business involving supplies, a business that occasioned his being offered an important position in almost every city in the world (he is the mayor of Malta, the Caliph of Baghdad, the Imam of Damascus, the Sheik of Araby, the Vice-Shah of Oran, and many more), and also enabled him to fight on both sides of the war.

In this context, the idea of the Catch-22 feels right at home. These days, a “Catch-22″ is the name one gives to a no-win situation, due to circular and self-contradicting logic. Which is the exact meaning the term had in the book, as, whenever there was a certain type of situation, someone was bound to invoke the said catch. Even if the actual wording varies now and then (“‘Catch-22,’ [...] ’says you’ve always got to do what your commanding officer tells you to.’“, “The men don’t have to sign Piltchard and Wren’s loyalty oath if they don’t want to. But we need you to starve them to death if they don’t.“, “Catch-22 says they have a right to do anything we can’t stop them from doing.“), the feeling of illogicality and contradiction is the same. Interestingly enough no one has ever seen the Catch-22 in writing (Yossarian thinks it doesn’t even exist), but everyone obeys it because the Catch-22 itself states that no one wanting to apply it has to show it to the one it’s being applied on.

A few more quotes that I liked:
The first appearance of the infamous catch:

There was only one catch and that was Catch-22, which specified that a concern for one’s own safety in the face of dangers that were real and immediate was the process of a rational mind. Orr was crazy and could be grounded. All he had to do was ask; and as soon as he did, he would no longer be crazy and would have to fly more missions. Orr would be crazy to fly more missions and sane if he didn’t, but if he was sane he had to fly them. If he flew them he was crazy and didn’t have to; but if he didn’t want to he was sane and had to. Yossarian was moved very deeply by the absolute simplicity of this clause of Catch-22 and let out a respectful whistle.

One of the absurd moments that flourish throughout the book:

‘Where are the Snowdens of yesteryear?’

The question upset them, because Snowden had been killed over Avignon when Dobbs went crazy in mid-air and seized the controls away from Huple.

The corporal played it dumb. ‘What?’ he asked.

[...]

‘Où sont les Neigedens d’antan?‘ Yossarian said to make it easier for him.

‘Parlez en anglais, for Christ’s sake,’ said the corporal. ‘Je ne parle pas français.‘

An idea I found cool because I myself have never thought of it:

To Yossarian, the idea of pennants as prizes was absurd. No money went with them, no class privileges. Like Olympic medals and tennis trophies, all they signified was that the owner had done something of no benefit to anyone more capably than everyone else.

And a description of one of the characters, Major Major Major Major:

He was polite to his elders, who disliked him. Whatever his elders told him to do, he did. They told him to look before he leaped, and he always looked before he leaped. They told him never to put off until the next day what he could do the day before, and he never did. He was told to honor his father and his mother, and he honored his father and his mother. He was told that he should not kill, and he did not kill, until he got into the Army. Then he was told to kill, and he killed. He turned the other cheek on every occasion and always did unto others exactly as he would have had others do unto him. When he gave to charity, his left hand never knew what his right hand was doing. He never once took the name of the Lord his God in vain, committed adultery or coveted his neighbor’s ass. In fact, he loved his neighbor and never even bore false witness against him. Major Major’s elders disliked him because he was such a flagrant nonconformist.

Thoughts on the ending: I am not sure how I feel about the ending. I mean, I definitely like it a lot, I just cannot decide whether it was simply perfect or just good. The book ends with show spoiler

What I liked most: The sheer absurdity of some of the situations, especially near the beginning. To mention a random one, Chief White Halfoat, an Indian, told the story of his tribe, who was chased from place to place because every time they set up camp anywhere, that place was brimming with oil. In Chief’s own words:

We were human divining rods. Our whole family had a natural affinity for petroleum deposits, and soon every oil company in the world had technicians chasing us around. We were always on the move. [...] Soon whole drilling crews were following us around with all their equipment just to get the jump on each other. Companies began to merge just so they could cut down on the number of people they had to assign to us. But the crowd in back of us kept growing. We never got a good night’s sleep. When we stopped, they stopped. When we moved, they moved, chuckwagons, bulldozers, derricks, generators. We were a walking business boom, and we began to receive invitations from some of the best hotels just for the amount of business we would drag into town with us. Some of those invitations were mighty generous, but we couldn’t accept any because we were Indians and all the best hotels that were inviting us wouldn’t accept Indians as guests.

Or, another random one, Doc Daneeka’s indignation at his word being doubted when he has declared himself unfit for war (note that ha was a perfectly healthy man):

They had to send a guy from the draft board around to look me over. I was Four-F. I had examined myself pretty thoroughly and discovered that I was unfit for military service. You’d think my word would be enough, wouldn’t you, since I was a doctor in good standing with my county medical society and with my local Better Business Bureau. But no, it wasn’t, and they sent this guy around just to make sure I really did have one leg amputated at the hip and was helplessly bedridden with incurable rheumatoid arthritis. Yossarian, we live in an age of distrust and deteriorating spiritual values. It’s a terrible thing,’ Doc Daneeka protested in a voice quavering with strong emotion. ‘It’s a terrible thing when even the word of a licensed physician is suspected by the country he loves.’

Or another random one (last one, I promise):

As a member of the Action Board, Lieutenant Scheisskopf was one of the judges who would weigh the merits of the case against Clevinger as presented by the prosecutor. Lieutenant Scheisskopf was also the prosecutor. Clevinger had an officer defending him. The officer defending him was Lieutenant Scheisskopf.

What I liked least: I cannot say anything remotely bad about this book. I was a bit worried at first, when the characters were introduced and there seemed to be so many of them, enough to lose track of, but with time I got to know everyone so I was able to tell everyone apart.

Recommend it to? You know, this is one of the most controverted books out there. I was amazed to notice there are plenty of people who started on it but put it down after a while (lots more than with other books). On Goodreads for example the book has at the moment over 1300 one-star ratings (presumably all of them from people who couldn’t finish it). However there are also 18402 five-star ratings (yup, more than 10 times the bad ones), making one think there must be something to this book after all :)

Subjectively, I for one have liked the book very much. I got a bit lost in characters at first but I persevered and I am immensely glad I did so. This makes me, of course, to want to recommend the book to everyone around me. And I do. With the caveat that, well, some people find the first hundred pages a bit hard to get through.

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Summary: Attilius Primus has just taken charge of his new position as supervisor of the Aqua Augusta, the aqueduct that supplied a handful of cities with much-needed water. His predecessor has disappeared without a trace, but Attilius has no time to look into it because a far more important thing has happened: for the first time the Augusta is blocked, and thousands of people are left without a water supply. The blockage seems to be somewhere near Pompeii, and this is how Attilius has ended up in the city’s area on August 23, 79, only one day before the big eruption of Mount Vesuvius.

Attilius, the main character of the book, is a guy after my own taste. A dedicated engineer, like his father and his father before him, the only thing he cares about is water, because that is what he knows about and that’s what he understands. I suspect that the author has modernized him a bit (for example Attilius doesn’t believe in gods and is unimpressed by philosophers; for some reason I think of people at that time as either devoted to the gods, or captivated by certain philosophical ideas — a guy denying them both seems to be a bit hard to believe but that may be just me). However I cannot help liking the guy’s pragmatic nature, his sheer love for his work and the fact that he always tries to make the right choice, no matter how difficult that may be.

Unfortunately the most important female character in the book was, albeit very promising, largely neglected. Corelia is a courageous girl with the heart in the right place, and I liked reading about her; however she didn’t get nearly enough space for me to actually grow attached to her (a thing I have thought to be a pity since, as I have already said, she started out oh so promising). On the other hand the antagonist, Corelia’s father, is just as well written as Attilius is, the author offering a fascinating glimpse into the mind of a former slave and a nouveau riche.

For some reason I expected to like this book a lot, and yet at first I was surprised to discover that the writing style has failed to pull me in. I think that is mostly because the world building is at times sparse, with few details other than the absolutely necessary ones. Luckily, I have grown used to it after the first hundred pages or so and started enjoying it a bit more, although I kept feeling the lack of details now and then. Perhaps I should say the lack of details and things happening, as another feeling of mine was that things were happening a bit too slow (but this may be my fault not the book’s because my expectations may be biased after reading, say, an overly alert book like The Eye of the World).

However, reading this book has been an interesting experience for me since I already knew the radical way it was going to end. To my surprise this has somewhat decreased my enjoyment of the book because at times I couldn’t get enough interest to care about what happens next. As much as I liked Attilius, I couldn’t root for anyone’s cause because I knew they were all going to die in a day or so, and everything else seemed petty compared to that. I was of course curious whether anyone will escape and how, but this only made the part before the eruption even less attractive as it kept me from reaching the interesting part.

I would lie though if I said there wasn’t something I liked even in the few days before the eruption, and that is the way the author has chosen to make the signs of the said eruption available (as they must have been back then) to our heros. Starting with the smell of sulphur everywhere, to the ashes on the top of the Vesuvius and to the tremors of the earth that Pliny the Elder enjoyed studying. I liked reading about these because there were things I have not considered before, and yet they also saddened me because of the way they failed to convey to people the message of what was to come.

I’m very impressed with the technological advancements of the Roman Empire at that time. The aqueducts, with their spigots and pressure-controlling water towers, are things that I wouldn’t have expected to see in use 2000-years ago. I mean, sure I knew that the Roman had public baths, and were using water pipes and so on, but somehow the magnitude of the things has failed to impress me until this book (and I am very grateful to it for driving the point home). In Pliny the Elder’s own words:

“When we consider the abundant supplies of water in public buildings, baths, pools, open channels, private houses, gardens and country estates, and when we think of the distances traversed by the water before it arrives, the raising of arches, the tunnelling of mountains and the building of level routes across deep valleys, then we shall readily admit that there has never been anything more remarkable than our aqueducts in the whole world.”

Another passage I found interesting was that of the prophecy commissioned from a Sybil by one of the characters. “‘She saw a town – our town – many years from now. A thousand years distant, maybe more.’ He let his voice fall to a whisper. ‘She saw a city famed throughout the world. Our temples, our amphitheatre, our streets – thronging with people of every tongue.’“. The prophecy was interpreted as a golden future for Pompeii, a sign that the city was indestructible, and the character who commissioned it refused to leave the city at the very height of danger because he deeply believed that his interpretation of the Sybil’s prophecy was correct. The reader, unlike the said character, knows nevertheless the real meaning: a reference to Pompeii of today, a city that spent about 1700 years buried in pumice and that is indeed filled with millions of tourists, “people of every tongue”. I thought this was a nice touch of the author’s, an “ah-ha” moment that drew the reader (or at least me) in a bit more.

Thoughts on the ending: Understandably enough it wasn’t a very surprising ending since history already told us what happened with Pompeii. I loved the last sentence though :)

What I liked most: The fact that I got to learn a lot of new things about that time. Aqua Augusta and Piscina Mirabilis, for one, Pliny the Elder and the way he died, for other, and many more. The author has “done his homework” regarding that day and age and it shows.

Also, there is a particular scene in the first day of the eruption when Pliny’s ship is heading towards Rectina’s villa (speaking of which, my heart broke seeing such a valuable library destroyed) when the pumice starts falling from above and “the water was covered in a carpet of stone.“. I loved the novelty of such an image.

What I liked least: I would have liked to see Corelia explored more as a character. As it is she is merely a plot device to motivate Attilius to do things, when she could have been an interesting woman in her own right.

Recommend it to? Anyone who likes historical fiction, especially when set in the Roman Empire; everyone interested in a version of what might have happened at Pompeii in that fateful day two thousand years ago. It has a pretty good rating on Amazon and Goodreads so if you think it might be your cup of tea do not hesitate to give it a try :)

See also
Current day Pompeii via Google Street View

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Summary: “Every violent death represents the climax of one story and an introduction to its sequel.”

Seventeen years before, the body of Jean Timberlake has been found on the beach. At the time, her ex-boyfriend, Bailey, pleaded guilty and went to jail, only to escape one year after and disappear into the world.

Bailey’s luck lasted for almost two decades, only to give way when he was arrested due to a confusion (he happened to use the same name as a wanted criminal!). He was let go then once the mistake was found, but one of the detectives got suspicious and run a search for his fingerprints. His past discovered, Bailey ended up in jail again. However he now denies his initial acceptance of guilt, and his father wants the matter cleared up once and for all.

Thus enters Kinsey Millhone.

I am somewhat of a fan of Kinsey Millhone’s. I really like her no-nonsense persona (I am more of a scaredy mouse type, and it was probably natural for me to be attracted to a type so much different than my own) and her courage in getting involved with all sort of people in all sort of situations. As usual, in this book we get to find out some more details about her, a few more bits of the puzzle that she is. Some of them amusing (such as the discovery that she’s, in her own words, “a bad-ass private eye who swoons in the same room with a needle“), some of them rather touching (more of her feelings regarding the loss of her parents at a tender age).

As for the other characters, we don’t get to know any of them that well, due to their paths crossing Kinsey only when needed, and that for a very short while. However, Kinsey is very observant and a good judge of character, so we do get to know at least some parts of what makes some of them tick. Taking for example Bailey’s mother, Oribelle, a former beauty but now ravaged by diabetes, heroically trying not to complain and yet complaining all day; Bailey’s father, the type used to ordering people around, now trying to get to grips with the fact that he has little more to live and his strength is seeping day by day; the reverend of the Baptist church, acting like a pious person when in fact he isn’t precisely that behind closed doors; and many more. Bailey himself is an interesting character, albeit somewhat mysterious (and very good at fending for himself when needed); overall, the reader ends up rooting for him (a good thing too, as it was kinda obvious he didn’t do it because… well, that’s how it is in this kind of books :P ).

There’s not much I can say about the plot, since the Alphabet books are more or less all similar in that department: Kinsey is on the case, Kinsey starts asking questions, Kinsey is getting closer to solving the case, Kinsey is (usually) threatened by the criminal, Kinsey (sometimes) gets hurt in the altercation, the case is nevertheless solved, the end. The charm is nevertheless in the details, and these, of course, are not to be disclosed so as not to spoil the story.

One of the things I find amusing with the books in these series is that, while the things in the first one happened in about the same year (1982 I think) the book was published, the distance between reality and fiction slowly increases. For example this one was released in 1985 but the things in it happen in 1983. That is of course easily explained by the fact that in real life the author releases about one book per year, whereas in Kinsey’s timeline only a few months pass between cases. I am however looking forward to the more recent books (with an even larger margin), to see whether cellphones or the Internet (or other such novelties) are going to make an impromptu appearance. :)

Speaking of the series, so far I enjoyed all the books, and I am impressed by the fact that so far the author never repeated herself (in terms of characters and their actions). However I did notice a pattern throughout: whenever Kinsey has to investigate something that happened years before, whoever did the deed (that cannot be pinned on him/her, else it would have been so all those years ago) gets nervous and starts killing more people. This I think is in order to satisfy the reader’s sense of justice: as the guilty part cannot be convicted, for various reasons, of the old deed, there are these new deeds so the said guilty part will be convicted nevertheless.

A favorite quote:

I thought about my papa. I was five when he left me . . . five when he went away. [...] When had it dawned on me that he was gone for good? When had it dawned on Ann that Royce was never going to come through? And what of Jean Timberlake? None of us had survived the wounds our fathers inflicted all those years ago. Did he love us? How would we ever know? He was gone and he’d never again be what he was to us in all his haunting perfection. If love is what injures us, how can we heal?

Thoughts on the ending: This was one of those books where everyone comes under suspicion at one time or another, making it impossible (at least for me) to guess who the killer was. To my delight chagrin, the one person who did it was the one person I didn’t suspect at all. Yay! :)

What I liked most: The idea of having it all happen in such a small (eighteen blocks) town. For some reason it made it all seem both more intimate and also more creepy (since everyone knows everyone it means that everyone has talked to and smiled at the killer plenty of times). The part regarding the “Family Crisis Squad” was also quite fun to imagine :)

On the kitchen counter, I could see a tuna casserole with crushed potato chips on top, a ground beef and noodle bake, and two Jell-O molds (one cherry with fruit cocktail, one lime with grated carrots), which Ann asked me to refrigerate. It had only been an hour and a half since [event]. I didn’t think gelatin set up that fast, but these Christian ladies probably knew tricks with ice cubes that would render salads and desserts in record time for just such occasions. I pictured a section in the ladies’ auxiliary church cookbook for Sudden Death Quick Snacks . . . using ingredients one could keep on the pantry shelf in the event of tragedy

What I liked least: I loved the book up until one of the last paragraphs, where there was something I didn’t quite understand. The real criminal was (of course) apprehended, but no proofs were found regarding Jean’s murder. So the police couldn’t actually prove that the said criminal was the one who killed Jean, yet Bailey was set free — why? How come, since no one has proven him not guilty of the said murder?

Recommend it to? Everyone who loves mysteries :)

This book is a sequel to:
A Is For Alibi
B Is For Burglar
C Is For Corpse
D Is For Deadbeat
E Is For Evidence

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